Outlines for earth, sky, and other objects. As young children we usually begin drawing landscapes by making It can exist by implication, as theĮdge of forms. The use of line inĬombination results in the development of form and value, which This is common in engravings and pen and ink drawings such as the one on the right (click and enlarge to see linear detail). Lines can be combined with other lines to create textures and patterns. Information about the figure with the most limited line. Or in Alexander Calder's minimal wire sculptures, which convey a great deal of This can be seen in drawings such as the Saul Steinberg illustration shown here, It can function independently to suggest forms that can be recognized,Įven when the lines are limited in extent. Line is not necessarily an artificial creation of the artist or designer itĮxists in nature as a structural feature such as branches, or as surfaceĭesign, such as striping on a tiger or a seashell. Language, or it can communicate emotion through its character and direction Is an enormously useful and versatile graphic device that is made to function To its direction, weight, and the variations in its direction and weight. They become a specific face? Which of the concepts above describe how we see these images?Ī line is a mark made by a moving point and having psychological impact according At what stage do the apparently random points of value become identifiable as a face? At what point do Presented on the right (to see the distortions properly, you will need to click on this small image to bring up the The involuntary will-to-order that we impose on a collection of points can be clearly seen when we examine the series of faces For a further discussion of Gestalt theory and some Alignment, either along edges of the objects or points or through their centers, will persuade us see them as aĬontour or a line. Proximity results in a tendency to group points or objects that are close to one another relative to less proximate in Similarity describes the tendency to see and group objects of similar shape or color. It is hard to resist, for example, the compulsion to see two dots as implying a Parts or points as part of a contour or form. A second concept is continuity- this describes the tendency to "connect the dots" and so accept separate These include Closure, in which the mind supplies missing pieces to complete the image- this occurs in the Mona Lisa The term describes a number of concepts that the eye/mind use to group points into meaning. Gestalt theory developed in the 1920s in Germany. Variations in density producing the illusion of form. Seen on the left demonstrates how images may be built from points, with the Gestalt is the fundamental tool the designer or artist Triangle the mind supplies the connections. If there are three points, it is unavoidable to interpret them as a If there are two points, immediately the eye will make a connection and "see" a line. Order, if only to use it as a point of orientation in relation to the outline Into the brain that wills meaning for it, and seeks some kind of relationship or They are the structure of the work, and can carry a wide variety of messages.Įven if there is only one point, one mark on a blank page there is something built The elements are components or parts which can be isolated and defined in any visual design or work of art. Introduction to the Elements of Design: Point
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